Mezzo soprano Amanda Fink commands the stage with her energetic, charismatic stage presence. Her voice possesses a rich, copper timbre that has both the facility and power to excel in a wide range of repertoire.

Amanda Fink has been seen recently with Opera Neo in San Diego, California, where she performed her third Cherubino in Mozart’s Le nozze di Figaro in a new production by Peter Kozma, in addition to concerts of arias and cabaret numbers. In the summer of 2019, she performed with Teatro Nuovo in NYC, under the baton of Maestro Will Crutchfield where she covered the role of Pippo in Rossini’s La Gazza Ladra, and was a soloist in Rossini’s Stabat Mater. Other highlights in the 2018-2019 season include performing as the alto soloist in Schubert’s Mass in G with the Cumberland Choral Society, and as alto soloist in Bach’s BWV 169 as part of the Chevy Chase Presbyterian Church’s annual concert series in Washington, DC. With Teatro Lirico in Washington DC, Amanda was both Rosaura in the zarzuela Los Gavilanes and performed a recital of songs by Spanish composers Fernando Sor and Martin y Soler, accompanied by guitarist Jeremy Lyons. 2018 also saw Amanda at the Smithsonian Museum, singing solo excerpts from Rossini’s Stabat Mater with the Choral Arts Society of Washington.Read More

In 2017-18, Amanda revisited the role of Cherubino in Cleveland Opera Theater's Le Nozze di Figaro, and sang as the alto soloist in Beethoven's 9th Symphony with the Apollo Orchestra in Washington, DC. In January of 2017, Amanda participated in the Metropolitan Opera National Council District Auditions, where she was the recipient of an Encouragement Award. Summer of 2017 saw Miss Fink performing a number of public concerts, both as part of a summer concert series with Cleveland Opera Theater, as well as in New Mexico as a promotional series for Land of Enchantment Opera. In 2016, Amanda joined the Pensacola Opera Resident Artist Program, making her company debut in the role of Flora Bervoix in La Traviata. Role debuts while in Pensacola included Olga in The Merry Widow, and Zosha in Jake Heggie's Holocaust opera Out of Darkness with text by Gene Scheer. While in Pensacola, she joined the Choral Society of Pensacola in as the alto soloist in their performance of Mendelssohn's Elijah. Following her residency in Pensacola, Amanda returned to Washington, DC to debut as a soloist with the Cathedral Choral Society in Beethoven’s C Major Mass and Choral Fantasia at the Washington National Cathedral, conducted by late maestro J. Reilly Lewis. That July, she made her Canadian debut as Cherubino in Le Nozze di Figaro with Brott Opera in Hamilton, Ontario..

In the 2014-2015 season, Ms. Fink was an Artist-in-Residence with Dayton Opera, where she sang the roles of Sister Lillianne in Heggie's Dead Man Walking and 2nd Lady in Die Zauberflöte. Additionally, she covered the role of Sister Helen Prejean in Dead Man Walking, performing her signature aria 'This Journey' at previews and PR events, including Dayton's NPR station 93.1 WYSO. She he performed as a guest artist alongside members of the Washington National Opera Domingo-Cafritz Young Artist Program, singing Mercédès in scenes from Carmen with the Apollo Orchestra in DC. Ms. Fink holds degrees from Chapman University and the University of Maryland, where she was a member of the Maryland Opera Studio.. Read Less

“Smanie implacabili” from Mozart’s Così fan tutte

Bellini Romeo - I Capuleti e i Montecchi Adalgisa - Norma Bizet Carmen, Mercedes - Carmen Britten Nancy - Albert Herring Lucretia - The Rape of Lucretia Hermia - A Midsummer Night’s Dream Donizetti Giovanna Seymour - Anna Bolena Sara - Roberto Devereux Gounod Siebel - Faust Stéphano - Roméo et Juliette Händel Acis - Acis and Galatea Ariodante - Ariodante Sesto - Guilio Cesare Heggie Sister Helen Prejean - Dead Man Walking Humperdinck Hansel - Hansel and Gretel Mascagni Lola - Cavalleria Rusticana Massenet Cendrillon, Prince Charmant - Cendrillon Chérubin - Chérubin Charlotte - Werther

Mozart Sesto - La Clemenza di Tito Dorabella - Così fan tutte Donna Elvira - Don Giovanni Idamante - Idomeneo Cherubino - Le nozze di Figaro Zweite Dame - Die Zauberflöte Offenbach Nicklausse - Les Contes d’Hoffmann Poulenc Blanche - Les Dialogues des Carmélites Puccini Suzuki - Madama Butterfly Purcell Dido - Dido and Aeneas Rossini Rosina - Il Barbiere di Siviglia Angelina - La Cenerentola Johann Strauss Prinz Orlofsky - Die Fledermaus Richard Strauss Komponist - Ariadne auf Naxos Octavian - Der Rosenkavalier Tchaikovsky Olga - Eugene Onegin Polina - Pique-Dame Verdi Meg Page - Falstaff

Diese Liste beinhaltet die empfohlenen, bzw. einstudierten Partien im Repertoire der Künstler. Eine Liste der aufgeführten Partien sind in den Künstlerunterlagen (Biografie/ Resume) auf die Künstlerseite unserer Website vorzufinden.

“Mezzo-soprano Amanda Fink's fiery upper range and luxuriously fluent coloratura in Rossini's ever popular 'Una voce poco fa,' Rosina's cavatina from The Barber of Seville, brought well-deserved cheers.”

Ken Herman, San Diego Story

“The voice and portrayal that jumped out at me ...was Amanda Fink’s Cherubino. The madcap lad was brilliantly drawn with subtleties of vocal inflection and acting that made her’s one of the best Cherubinos I’ve ever laid ears or eyes on.”

Hugh Fraser, OPERA CANADA, 2017

“Amanda Fink was inspired in the trouser role of the hormone-raged Cherubino.”

Mike Telin, CLEVELANDCLASSICAL.COM, 2017

“Amanda Fink, this diminutive mezzo as the overly-testosterone-ed young man steals every scene she’s (he’s) in. The changing-outfits bit where Rosina & Susanna decide to dress Cherubino as a girl was staged as pure slapstick and was a highlight moment.”

Danny Gaisin, ONTARIO ARTS REVIEW, 2016

“The Benedictus, sung by soloists Laura Choi Stuart, Amanda Fink, Ian McEuen and Kwang-Kyu Lee — was transporting.”

Cecelia H. Porter, THE WASHINGTON POST, 2016